Saturday, February 27, 2016

88th Academy Awards

------------
Note 1: This is the fourth consecutive year when I am doing this. Hopefully this one will be much more readable compared to my previous attempts. Hopefully. (prev: 87th, 86th, 85th) This year, I also wrote a story with the tag-lines of the Oscar-nominated movies.

Note 2: I suspect the ratings for this year's Oscars are going to be very low. I mean, outside of #OscarsSoWhite, Studios and producers need to freakin' make the movies available for viewing online (or in theaters)! I will pay money to watch these movies BEFORE the Oscars goddamit! Events are successful when people talk about it. And to talk about it, people need context. What should we talk about instead of the movies themselves, Clooney's tux, JLaw's stumble, host's fumble, and hot cleavages?
------------


This is one of those years when I am not particularly attached to any movie that has been nominated. Atleast not for the big awards. But this year's Animated and Documentary nominations are a bunch of powerhouses compared to any year in recent history for these categories. It beats me why Inside Out didn't get a Best Picture nod. This just might have been a year when a Pixar movie, or any animated movie for that matter, won the top prize. Instead, we get Oscar-bait movies such as Room, Bridge of Spies, or even The Revenant. Mad Max getting in there is quite a surprise, not so much in retrospect. And yet, the top prize this year remains wide open, probable front-runners being Spotlight, The Revenant, and The Big Short, with the race getting more interesting than the movies themselves.

Emily Blunt's omission from Supporting Actress and Villeneuve's from Director (yep, I loved Sicario!) seems a little strange, but Villeneuve's time will come. His every successive movie gets better than the last! And Quentin, what did you do? He is forgiven though for getting too indulgent, considering that he might be nearing the end of his filmography. I hope though that I get to see him, among others, getting a Directing Oscar some day. Some day.

Right then.




Category / PickNomineesVishesh TippaniHit / Miss
Motion Picture


Spotlight

The Big Short

Brooklyn

Bridge of Spies

Mad Max: Fury Road

The Martian

The Revenant

Room

Spotlight
The Big Short: After The Wolf of Wall Street's rollercoaster ride, this seemed like pony carousel. I mean, we get it. Financial meltdown happened, and no-one responsible went to jail. Bravo! Selena Gomez explaining Collateralized Debt Obligations was cute though. Heh.

Brooklyn: It gets a lot of things right. Saoirse Ronan is an absolute delight to watch on screen, with a well-deserved Actress nomination for her. And the way the movie transports you to the 50s is incredible, effortlessly shattering a lot of things we take for granted today. And we are not talking about an ancient era, just 60-70 years ago. Brooklyn also does not resort to evil-looking people to further the plot in a way Titanic did, and in a way that makes the protagonists' struggles relatable, real, and very palatable - in a way that triggers a "Life is such," response rather than "They deserved this".
"I'd forgotten what this town is like. What were you planning to do, Miss Kelly?" 

Bridge of Spies: This is the "America is the best country in the World" movie for this year. Although both Tom Hanks and Mark Rylance nailed it with chiselled performances. Coen brothers wrote this, perhaps it would have been a much better movie if they directed it as well.
"Aren't you worried?"
"Would it help?"

Mad Max: Fury Road: This movie was an adrenalin-induced delight without end. Stunning camera work, absurdist humour, and louder than loudest everything, so much that one literally felt exhausted after the movie did not give any breathing space during.
"WITNESS ME!"

The Martian: Someone please explain to me why Inside Out is not in this category, and why The Martian isn't in the Best Animated movie category instead? What is the line between special effects and animation? Considering the state of the art for motion capture and 3D rendering techniques, maybe it's time we do away with the distinction. Anyway, The Martian falls flat compared to Gravity, or even Interstellar. Maybe it was just an excuse to rescue Matt Damon... again.

The Revenant: A lot of people, including the Academy, seem to be particularly fond of Iñárritu. I find his movies boring, the technical brilliance notwithstanding. Birdman was perhaps Iñárritu's most enjoyable movie, and I didn't want Birdman to win (Boyhood... sigh). If The Revenant wins this one, of which there is a more than significant chance, it will be several firsts, perhaps the most interesting one being successive wins by the same Director. Sure looks like Leo's year though.

Room: This was a hit or miss and all over the place. Some scenes were striking, in particular the one towards the end where Brie Larson goes back to the Room. Jacob Tremblay was spectacular until he was inside the room, and made his escape. After that it seemed like the director just didn't give a shit anymore.
"There's so much of "place" in the world."

Spotlight: This is my favourite movie from this category. Tense, crisp, great characters, performances, writing, Spotlight ranks high up there.
"We got two stories here: a story about degenerate clergy, and a story about a bunch of lawyers turning child abuse into a cottage industry. Which story do you want us to write? Because we're writing one of them."
Hit!
Director
Alejandro González Iñárritu, The Revenant

Adam McKay, The Big Short

George Miller, Mad Max: Fury Road

Alejandro González Iñárritu, The Revenant

Lenny Abrahamson, Room

Tom McCarthy, Spotlight
As much as I loved Spotlight, I am not sure if Tom McCarthy's time has come for a directing Oscar. The race mostly seems between Iñárritu and Miller, both of whom are really fine directors. If Iñárritu pulls this one off, back-to-back Director Oscars would be a tremendous feat.

Although, if I had my way, Duke Johnson and Charlie Kaufman (directors of Anomalisa),  Andrew Haigh (director of 45 years), would have found a spot here. And when-o-when will Denis Villeneuve's (Sicario) time come?
Hit!
Writing (Original)

Spotlight

Bridge of Spies

Ex Machina

Inside Out

Spotlight

Straight Outta Compton
Bridge of Spies is probably in here because... Coen brothers. Perhaps the movie would have been significantly better had they directed it as well.

Ex Machina had some really smart writing as well, reminded me of "Her" in a lot of ways.
Ava: "What will happen to me if I fail your test?"

I loved the fact that Inside Out got nominated for this, if not for Best Picture. They really got me from the moment the "train of thought" arrives. As cheesy as that is, really made me chuckle.
"Take her to the moon for me."

And as much as Tarantino would like to say "I truly believe in the material" for The Hateful Eight, he needs to sit on the bench for this one.

Spotlight though, crisp, taut, engaging from start to finish truly deserves this one.
"If it takes a village to raise a child, it takes a village to abuse them."
Hit!
Writing (Adapted)

The Big Short

The Big Short

Brooklyn

Carol

The Martian

Room
The Big Short is a no-brainer for this. I haven't read the book so I do not know how it reads, but this is one of those examples of an "adaptation", from a non-fiction, that would have truly meant a LOT of work.

Aaron Sorkin could have been slipped in here (for Steve Jobs), again adapting a non-fiction. Plus, in my opinion, his approach with the source material was remarkable and creative. With all the different sorts of issues Steve Jobs ran into during production, Sorkin was probably the only one who did the cleanest job for this movie.
Hit!
Actor

Leonardo DiCaprio, The Revenant

FINALLY, LEO! Boy am I waiting for his acceptance speech! SIXTH nomination, and what a journey! A story of survival, revenge, and life is also possibly the most fitting way he could have won this one!

But this doesn't go without mentioning the other quite remarkable performances in this category. Trumbo felt a lot like Argo, even besides the 'Hollywood making a movie about Hollywood thing' and John Goodman's huge (literally) presence. And I love this "genre" (if you may) too - Sunset Bldv., Chaplin, The Artist, to name a few.

Michael Fassbender did a fine job and literally saved the movie, but the most striking performance for me from this movie would definitely be that of Winslet's.

There are some roles where it is unimaginable for anyone else doing them except for Eddie Redmayne (you know, the kind of feeling we get quite often for Benedict Cumberbatch). I doubt anyone else would have been able to do Theory of Everything or The Danish Girl.
Hit!
Actress


Charlotte Rampling, 45 Years



Prediction: Brie Larson
Cate Blanchett, Carol

Brie Larson, Room

Jennifer Lawrence, Joy

Charlotte Rampling, 45 Years

Saoirse Ronan, Brooklyn
Brie Larson seems sealed for this category. She isn't on my top 3 out of these 5, so I will be a little bummed about this one.

I am conflicted between Charlotte Rampling and Saoirse Ronan for my top spot. 45 years is a stunning film, and deserved much more than the solitary nomination it received, but Charlotte is really the heart and soul of the film. After Emmanuelle Riva (Amour) lost to JLaw, I would be too pleased to see Charlotte win this one, for a movie that has too many similarities to Amour.

I wouldn't mind Saoirse winning this one either. Her nuanced performance in Brooklyn left you yearning for more.
Hit!
Supporting Actor

Christian Bale, The Big Short


Prediction: Sylvester Stallone
Christian Bale, The Big Short

Tom Hardy, The Revenant

Mark Ruffalo, Spotlight

Mark Rylance, Bridge of Spies

Sylvester Stallone, Creed
The one thing that I loved about The Big Short was Christian Bale's performance. In the very limited time that he occupies the screen, every freakin' scene is fireworks. He would be my pick for this one, but Sylvester Stallone makes for a great Oscar story, so yeah... Mark Rylance.
Supporting Actress

Kate Winslet, Steve Jobs


Prediction: Alicia Vikander
Jennifer Jason Leigh, The Hateful Eight

Rooney Mara, Carol

Rachel McAdams, Spotlight

Alicia Vikander, The Danish Girl

Kate Winslet, Steve Jobs
It's a shame that Alicia Vikander got nominated for The Danish Girl instead of Ex Machina. I am nuts about Alicia Vikander, she is what I would call "vanilla" beautiful. I know she is beautiful, I don't know why, and I find it hard to be able to figure it out. It's like she only registers when she's in front of me, but poof as soon as she's not, enigmatic almost. I think it was a stroke of casting brilliance to cast her in Ex Machina, a role which hinged significantly on this quality of hers in my opinion. You know, artificial... but not really, feels real... but can't put a finger on why.

But between her performance in The Danish Girl, and Kate Winslet's in Steve Jobs, my vote definitely goes to Kate. Them glasses. Sigh. And a performance that stands shoulder-to-shoulder with Fassbender's as Jobs, that's really something.
Hit!
Animated Movie

Anomalisa


Prediction: Inside Out
Anomalisa

Boy & The World

Inside Out

Shaun The Sheep Movie

When Marnie Was There
What a collection of movies in this category! This is a collection which is missing The Peanuts Movie and The Good Dinosaur - movies which in any other year would have made the nomination cut and might even have won!

I want to especially talk about three movie here, Anomalisa, Inside Out, and Boy & The World, although Shaun The Sheep and When Marnie Was There are brilliant movies in their own right.

Anomalisa is one of those movies that leave you going "How on Earth did they pull this off on screen?!" The stillness of this movie, the calm, the poise, the detail - both in the little things and the not-so-little things - is astounding. I could write at length about this movie, but anyone who has spent any time travelling to a smaller city in the US (especially to the mid-west) will get all intricate details they have managed to so gloriously capture. The absolutely shocking sex scene, the long takes, the movie playing almost in real time... Anomalisa is an anomaly done right when it comes to pushing the boundaries of what can be done on animation.

Talking about pushing the boundaries of animated films, Boy & The World is gorgeous! Such raw beauty, it is a spectacle to behold. Lovingly crafted hand-drawn animation, the colors, the playfulness, the airiness, the fireworks-y sparkle, the dazzle, every still of the film could be a framed painting in an art gallery. This is how, I wish, The Peanuts Movie had been made. HAND-DRAWN! I hope we get to see more of Alê Abreu's work.

Inside Out is almost surely going to win this one. Don't get me wrong, it is a great film, perhaps one of Pixar's top 3, if not the best. But it is going to win it for the wrong reasons. Animation has very little to do with what makes Inside Out a great film, which is why it was much better off getting a Best Film nod, along with the Writing nod that it deservedly received.
Hit!
Cinematography

Sicario


Prediction: The Revenant 
Carol

The Hateful Eight

Mad Max: Fury Road

The Revenant

Sicario
The Hateful Eight is on this list because... 70mm, Ben Hur lenses, yada yada yada. It's not the tooling that maketh a genius. Nope. But okay Quentin, you were indulging yourself, you are allowed to do that, of course.

It will be a big surprise if The Revenant does not win this one. The cinematography, after all, is one of the biggest reasons why it has been getting oh-so-much love. But, have you seen Sicario! Especially the one scene where they perform the extraction from Mexico, sent a chill down my spine. That is a scene in the same league as the car scene from Children of Men.
Hit!
Editing

Mad Max: Fury Road

The Big Short

Mad Max: Fury Road

The Revenant

Spotlight

Star Wars: The Force Awakens
If there is one award that Mad Max truly deserves, it's got to be this one. How do you even cut this movie?! Hit!
Production Design

Mad Max: Fury Road

Bridge of Spies

The Danish Girl

Mad Max: Fury Road

The Martian

The Revenant
Hit!
Score

Ennio Morricone, The Hateful Eight

Bridge of Spies

Carol

The Hateful Eight

Sicario

Star Wars: The Force Awakens
The Hateful Eight, again, is here because... Morricone. This is probably Academy's last chance to give a real Oscar to Ennio Morricone rather than the honorary one they had to give him a few years ago.

Sicario and Star Wars (obviously) truly deserve a special mention though.
Hit!
Visual Effects

The Revenant

Ex Machina

Mad Max: Fury Road

The Martian

The Revenant

Star Wars: The Force Awakens
This category is really losing its significance extremely fast. It is too hard to tell what's special effects and what's not, considering almost every movie undergoes huge transformation during post-production. Ex Machina.
Deserved!
Documentary

Winter on Fire: Ukraine's Fight For Freedom


Prediction: Amy
Amy

Cartel Land

The Look of Silence

What Happened, Miss Simone?

Winter on Fire: Ukraine's Fight For  Freedom
Just like the Animated Feature Film category, this was another powerhouse collection of films. I wouldn't mind Amy winning this one, Asif Kapadia is an accomplished director, his Senna ranks amongst my favorite movies. And, to be fair, Amy is an amazing movie, except, I didn't care a lot about the subject matter.

Winter on Fire, on the other hand, is a movie extremely relevant in today's day and age, and has managed to put together some really spine-chilling footage and beautifully. It also managed to give a first-hand glimpse into a country that we (I) know so little about, and around events that are being played out right now on the global political arena.
Hit!

Total: 13 / 15



1 comment:

  1. First Arrival, then Blade Runner and now a DUNE reboot - https://www.bleedingcool.com/2017/02/01/official-dune-reboot-legendary-pictures-director/
    Denis Villeneuve is a certified trailblazer now!

    ReplyDelete